Bonsoir mon cœur
At first glance, Bonsoir mon cœur carries a distinctly French elegance. Yet beneath its Parisian surface lies an unmistakable Asian influence, a world to which Daan Koens often returns in his work.
The fan, the sake and the lobster each reveal a different layer. Asia reflects Daan’s enduring fascination with its culture, while the lobster represents the good life: pleasure, freedom and the ability to enjoy what once felt beyond reach.
French in appearance, Asian in spirit and unmistakably Daan Koens.
Not to be confused with: “Vrouwelijk naakt door Zinaida Serebriakova“
